
Acid/Gothic installation view at Galerie pompom
Photo by Brett East

Acid/Gothic installation view at Galerie pompom
Photo by Brett East

Acid/Gothic installation view at Galerie pompom
Photo by Brett East

Acid/Gothic installation view at Galerie pompom
Photo by Brett East

Peter Weibel
Vulkanologie der Emotionen (Vulcanology of Emotions), 1971/1973,
16 monitors, video, 7:20 min
Courtesy of the artist and Galerie Anita Beckers, Frankfurt
Acid/Gothic, Elizabeth Bay House installation view

Peter Weibel
Vulkanologie der Emotionen (Vulcanology of Emotions), 1971/1973,
16 monitors, video, 7:20 min
Courtesy of the artist and Galerie Anita Beckers, Frankfurt
Acid/Gothic, Elizabeth Bay House installation view

The Hudsucker Proxy, 1994, (111 min) Directed by Joel and Ethan Coen.
8 seconds from Scene 15 looped.
Acid/Gothic, Elizabeth Bay House installation view

Jurassic Park, 1993, (127 min) Directed by Steven Spielberg.
8 seconds from Scene 61 looped.
Acid/Gothic, video still

Gary Carsley
D. 105 To become another is to die as yourself. Romantic Artists 1 Cate as Kate, 2013/14
C type print applied to IKEA LACK TABLES. 55 x 55x 45 cms
A/P (edition of 5)
Courtesy of Thatcher Projects, New York and TORCH Gallery, Amsterdam.
Acid/Gothic, Elizabeth Bay House installation view

Tracey Moffatt
Laudanum #15 and #19, 1998
Set of 19 images
Toned photogravure print on rag paper, 76 x 57cm
Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney
Acid/Gothic, Elizabeth Bay House installation view

Sarah Mosca
Untitled walk # 1 (absent gesture) and Untitled walk # 2 (vague silence), 2013
C-type photographs, 80 x 65cm (framed), 2013
Courtesy of the artist and Galerie pompom, Sydney
Acid/Gothic, Elizabeth Bay House installation view

Acid/Gothic, Elizabeth Bay House installation view

Tomislav Nikolic
1 – 3: Always stretching time But it’s never long enough
4 – 7: Turning minutes into hours..., 2012
glass, museum glass, acrylic & marble dust, citron gold leaf, platin gold leaf, on canvas & wood 2 parts: 66.5 x 85.5 x 8 cm & 69.5 x 78.5 x 11cm
Courtesy of the artist and Jensen Gallery, Sydney
Willem Claeszoon Heda
Stilleben mit Schinken (Still Life with Ham), 1635/2014.
Oil on wood, 58 x 78cm
copy hand-painted by a factory artist from Fuzhou, Fujian Province, China
original at the Alte Pinakothek, Munich.
Acid/Gothic, Elizabeth Bay House installation view

Tomislav Nikolic
1 – 3: Always stretching time But it’s never long enough
4 – 7: Turning minutes into hours..., 2012
glass, museum glass, acrylic & marble dust, citron gold leaf, platin gold leaf, on canvas & wood 2 parts: 66.5 x 85.5 x 8 cm & 69.5 x 78.5 x 11cm
Courtesy of the artist and Jensen Gallery, Sydney
Acid/Gothic, Elizabeth Bay House installation view

Pia van Gelder
Apparition Apparatus, 2012
No-input set-up: Panasonic WJ MX-12 Video Mixer, Sony Trinitron CRT monitor, powered speaker
Courtesy of the artist
Acid/Gothic, Elizabeth Bay House installation view

Giselle Stanborough
The Lonely Tail, 2012
Four-channel video (exhibited: holezits and holebody, not exhibited: holefood and holeshots)
Commissioned for "There's a Hole in the Sky", curated by Tom Polo at Campbelltown Arts Centre. Courtesy of the artist.
Pia van Gelder
Apparition Apparatus, 2012
No-input set-up: Panasonic WJ MX-12 Video Mixer, Sony Trinitron CRT monitor, powered speaker
Courtesy of the artist
Acid/Gothic, Elizabeth Bay House installation view
Tracey Moffatt
Laudanum #15 and #19, 1998
Gary Carsley
D. 105 To become another is to die as yourself. Romantic Artists 1 Cate as Kate, 2013/14
Sarah Mosca
Untitled walk # 1 (absent gesture) and Untitled walk # 2 (vague silence), 2013
Acid/Gothic, Elizabeth Bay House installation view

Pia van Gelder
Apparition Apparatus, 2012
No-input set-up: Panasonic WJ MX-12 Video Mixer, Sony Trinitron CRT monitor, powered speaker
Courtesy of the artist
Acid/Gothic, Elizabeth Bay House installation view

Tomislav Nikolic
1 – 3: Always stretching time But it’s never long enough
4 – 7: Turning minutes into hours..., 2012
glass, museum glass, acrylic & marble dust, citron gold leaf, platin gold leaf, on canvas & wood 2 parts: 66.5 x 85.5 x 8 cm & 69.5 x 78.5 x 11cm
Courtesy of the artist and Jensen Gallery, Sydney
Acid/Gothic, Elizabeth Bay House installation view

Acid/Gothic installation view at Galerie pompom
Photo by Brett East

Acid/Gothic installation view at Galerie pompom
Photo by Brett East

Acid/Gothic installation view at Galerie pompom
Photo by Brett East
Acid/Gothic installation view at Galerie pompom
Photo by Brett East
Acid/Gothic installation view at Galerie pompom
Photo by Brett East
Acid/Gothic installation view at Galerie pompom
Photo by Brett East
Acid/Gothic installation view at Galerie pompom
Photo by Brett East
Peter Weibel
Vulkanologie der Emotionen (Vulcanology of Emotions), 1971/1973,
16 monitors, video, 7:20 min
Courtesy of the artist and Galerie Anita Beckers, Frankfurt
Acid/Gothic, Elizabeth Bay House installation view
Peter Weibel
Vulkanologie der Emotionen (Vulcanology of Emotions), 1971/1973,
16 monitors, video, 7:20 min
Courtesy of the artist and Galerie Anita Beckers, Frankfurt
Acid/Gothic, Elizabeth Bay House installation view
The Hudsucker Proxy, 1994, (111 min) Directed by Joel and Ethan Coen.
8 seconds from Scene 15 looped.
Acid/Gothic, Elizabeth Bay House installation view
Jurassic Park, 1993, (127 min) Directed by Steven Spielberg.
8 seconds from Scene 61 looped.
Acid/Gothic, video still
Gary Carsley
D. 105 To become another is to die as yourself. Romantic Artists 1 Cate as Kate, 2013/14
C type print applied to IKEA LACK TABLES. 55 x 55x 45 cms
A/P (edition of 5)
Courtesy of Thatcher Projects, New York and TORCH Gallery, Amsterdam.
Acid/Gothic, Elizabeth Bay House installation view
Tracey Moffatt
Laudanum #15 and #19, 1998
Set of 19 images
Toned photogravure print on rag paper, 76 x 57cm
Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney
Acid/Gothic, Elizabeth Bay House installation view
Sarah Mosca
Untitled walk # 1 (absent gesture) and Untitled walk # 2 (vague silence), 2013
C-type photographs, 80 x 65cm (framed), 2013
Courtesy of the artist and Galerie pompom, Sydney
Acid/Gothic, Elizabeth Bay House installation view
Acid/Gothic, Elizabeth Bay House installation view
Tomislav Nikolic
1 – 3: Always stretching time But it’s never long enough
4 – 7: Turning minutes into hours..., 2012
glass, museum glass, acrylic & marble dust, citron gold leaf, platin gold leaf, on canvas & wood 2 parts: 66.5 x 85.5 x 8 cm & 69.5 x 78.5 x 11cm
Courtesy of the artist and Jensen Gallery, Sydney
Willem Claeszoon Heda
Stilleben mit Schinken (Still Life with Ham), 1635/2014.
Oil on wood, 58 x 78cm
copy hand-painted by a factory artist from Fuzhou, Fujian Province, China
original at the Alte Pinakothek, Munich.
Acid/Gothic, Elizabeth Bay House installation view
Tomislav Nikolic
1 – 3: Always stretching time But it’s never long enough
4 – 7: Turning minutes into hours..., 2012
glass, museum glass, acrylic & marble dust, citron gold leaf, platin gold leaf, on canvas & wood 2 parts: 66.5 x 85.5 x 8 cm & 69.5 x 78.5 x 11cm
Courtesy of the artist and Jensen Gallery, Sydney
Acid/Gothic, Elizabeth Bay House installation view
Pia van Gelder
Apparition Apparatus, 2012
No-input set-up: Panasonic WJ MX-12 Video Mixer, Sony Trinitron CRT monitor, powered speaker
Courtesy of the artist
Acid/Gothic, Elizabeth Bay House installation view
Giselle Stanborough
The Lonely Tail, 2012
Four-channel video (exhibited: holezits and holebody, not exhibited: holefood and holeshots)
Commissioned for "There's a Hole in the Sky", curated by Tom Polo at Campbelltown Arts Centre. Courtesy of the artist.
Pia van Gelder
Apparition Apparatus, 2012
No-input set-up: Panasonic WJ MX-12 Video Mixer, Sony Trinitron CRT monitor, powered speaker
Courtesy of the artist
Acid/Gothic, Elizabeth Bay House installation view
Tracey Moffatt
Laudanum #15 and #19, 1998
Gary Carsley
D. 105 To become another is to die as yourself. Romantic Artists 1 Cate as Kate, 2013/14
Sarah Mosca
Untitled walk # 1 (absent gesture) and Untitled walk # 2 (vague silence), 2013
Acid/Gothic, Elizabeth Bay House installation view
Pia van Gelder
Apparition Apparatus, 2012
No-input set-up: Panasonic WJ MX-12 Video Mixer, Sony Trinitron CRT monitor, powered speaker
Courtesy of the artist
Acid/Gothic, Elizabeth Bay House installation view
Tomislav Nikolic
1 – 3: Always stretching time But it’s never long enough
4 – 7: Turning minutes into hours..., 2012
glass, museum glass, acrylic & marble dust, citron gold leaf, platin gold leaf, on canvas & wood 2 parts: 66.5 x 85.5 x 8 cm & 69.5 x 78.5 x 11cm
Courtesy of the artist and Jensen Gallery, Sydney
Acid/Gothic, Elizabeth Bay House installation view
Acid/Gothic installation view at Galerie pompom
Photo by Brett East
Acid/Gothic installation view at Galerie pompom
Photo by Brett East
Acid/Gothic installation view at Galerie pompom
Photo by Brett East




















